Not April in Paris ~ BSAC Live 01 at Banlieues Bleues

by Burnt Sugar The Arkestra Chamber

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1.	Springtime For Chillun by Bruce Mack 10:48		buy track
2.	Half Moon Flippers 07:55		buy track
3.	Jungle Fibre 05:13		buy track
4.	Jungle Fauve 09:48		buy track
5.	Mazzafrique 05:10		buy track
6.	Jeremiah The Gallic 04:28		buy track
7.	Held In Faith featuring Lisala 07:39		buy track
8.	All Fall Down featuring Justice 07:12		buy track
9.	Panpipes & Sprites 02:07		buy track
10.	The Blood Of Pomegranates 12:11		buy track
11.	US-X9P-06-14545 - Resurrection Rag 06:05	info	buy track

about

THIS is Conduction : An Unscripted, Unrehearsed Performance

credits

released March 4, 2004

BSAC 2006 Banlieues Bleues Edition
Acoustic Bass - Jason Tobias DiMatteo
Electric Bass - Jared Michael Nickerson
Trap Drums - Trevor Holder & Chris Eddleton
Electric Guitar - Rene Akan
Cello - Julia Kent
Violin - Mazz Swift
Trumpet - Lewis “Flip” Barnes
Alto Sax - Matana Roberts
Tenor Sax - Petre Radu-Scafaru
Flute/Percussion - Satch Hoyt
Synth - Bruce Mack
Synth/Piano - Vijay Iyer
Vocals - Jeremiah - Lisala Beatty & Justice Dilla X
Conduction - Greg Tate

Technical Director - Erick Sez
Stage Manager - José Branco
House Engineer & Recorder - Tiburce De Lumbé
Monitors - Phillipe Caillaux

Engineered & Mastered by Peter Karl for Peter Karl Audio Brooklyn NY
Production - Gregory S. Tate
Executive Production - Jared Michael Nickerson for B.S.I. LLC
Art Direction & Design - Amy Gail

Special Thanks To : Lawrence Butch Morris for showing Us The Way, LaRonda Davis, Bill Bragin, Noreen Tomasi, Renata Petroni, Kay Takeda, Olga Martins and the Arts International Staff, Alexandre Pierrepont & The Weavers, Xavier Lemettre, Nilou Kavah, Vincent Mahey, The Banlieues Blues Staff and the City of Bobigny France.

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Burnt Sugar The Arkestra Chamber New York, New York

BURNT SUGAR is a neo-tribal thang, aspiring to the condition of all that is molten, glacial, spacial, telepathic.
''A multiracial jam army that freestyles with cool telekinesis between the lustrous menace of Miles Davis’ On The Corner, the slash-and-om of 1970s King Crimson, and Jimi Hendrix’ moonwalk across side three of Electric Ladyland.”- David Fricke, Rolling Stone. ... more

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