Fubractive Since Antiquity Suite ~ That Depends On What You Know (3​/​3)

by Burnt Sugar The Arkestra Chamber

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1.
2.
Sandpiper 03:09
3.
Fubractive B 06:52
4.
Fubractive C 10:43
5.
Fubractive D 05:32
6.
7.
8.
The Fenix 08:06

about

Disc Three of our three album release: "That Depends on What You Know"

credits

released January 18, 2001

Electric Guitars ~ Rene Akan, Morgan Michael Craft, Kirk Douglas, Vernon Reid, Greg Tate, Shoshana Vogel
Electric Bass ~ Maximina Juson & Jared Michael Nickerson
Acoustic Bass ~ Jason Tobias DiMatteo
Electronic Drums ~ Swiss Chris
Trap Drums ~ Qasim Naqvi
Percussion ~ Tia Nicole Leak
Tablas ~ Suphala
Acoustic Piano & Organ ~ Vijay Iyer
Synth ~ Bruce Mack
Cello ~ Julia Kent & Nioka Workman
Dulcimer ~ Honeychild Coleman
Trumpet ~ Lewis ‘Flip’ Barnes
Flute ~ Monet Dunahm, Atiba Wilson & Satch Hoyt
Tenor Sax ~ Micah Gaugh
Vocals ~ Lisala Beatty & Justice Dilla X
Spanish Castle Magic Contralto ~ Eisa Davis
Poems ~ Latasha N. Nevada Diggs & Shariff Simmons
Rhymes ~ Mugabe
Conversational French ~ Davida Tretout & Satch Hoyt
“Bench” Playas ~ Myles Reilly & Shazad Ismaily
Conduction & Production ~ Greg Tate
Executive Production ~ Jared Michael Nickerson
Recording Engineer ~ Peter Karl
Studio Recordings ~ The Fifth House - Brooklyn N.Y. - May 2000-July 2001
Live Material Recordings ~ The Anchorage Brooklyn Bridge July 21st, 2000 for the Creative Time “Concrete Jungle” event
Graphic Design ~ Susanne Cerha
Graphic Production ~ Jerri Myer
Photography ~ Arthur Jaffa
All music composed by Burnt Sugar The Arkestra Chamber except - Castles Made of Sand by Jimi Hendrix - If There’s A Hell Below by Curtis Mayfield - Round Midnight by T. Monk, C. Williams & B. Hannigen - At Midnight ( My Love Will Lift You Up ) by T. Maiden & L. Washburn - Take My Hand by Lisala Beatty - No Poema Concrete Blues lyrics by Latasha N. Nevada Diggs - Fubraction lyrics by Shariff Simmons - Keep It Real Til It Flatlines lyrics by Mugabe

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Burnt Sugar The Arkestra Chamber New York, New York

BURNT SUGAR is a neo-tribal thang, aspiring to the condition of all that is molten, glacial, spacial, telepathic.
''A multiracial jam army that freestyles with cool telekinesis between the lustrous menace of Miles Davis’ On The Corner, the slash-and-om of 1970s King Crimson, and Jimi Hendrix’ moonwalk across side three of Electric Ladyland.”- David Fricke, Rolling Stone.
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