Black Sex Y'ALL Liberation & Bloody Random Violets ~ Discs One & Two

by Burnt Sugar The Arkestra Chamber

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1.
2.
Fear 10:39
3.
MTume 10:27
4.
MTume 05:00
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7.
Featuring Justice X & Alice Smith
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Moonchile 12:50
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12.
Ventris 08:56
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about

From 2003, one of Burnt Sugar’s most diverse and opulent recordings. This collection features key contributions from Vernon Reid, Vijay Iyer, Butch Morris, Pete Cosey, Tamar-kali, DJ Mutamassik, Omega Moon and Kirk Douglas of the Roots, all guided across the finish line by Greg Tate and Jared Michael Nickerson.

credits

released February 5, 2003

Electric Guitars ~ Pete Cosey, Rene Akan, Morgan Michael Craft, Kirk Douglas, Vernon Reid, Greg Tate & Jimmy Lee
Electric Bass ~ Maximina Juson, Melvin Gibbs, Don Martin & Jared Michael Nickerson
Acoustic Bass ~ Jason Tobias DiMatteo
Electronic Drums ~ Marque "Inna Most" Gilmore, Swiss Chris, Qasim Naqvi
Trap Drums ~ Qasim Naqvi, Trevor Holder, Shahzad Ismaily
Congas & Percussion ~ Tia Nicole Leak
Laptop ~ Michael Floyd
Turntables, Tapes, Devices & Kaos Pad ~ DJ Mutamassik
Acoustic Piano & Organ ~ Vijay Iyer
Synth & Farfisa ~ Bruce Mack
Violin ~ Mazz Swift
Cello ~ Julia Kent, Nioka Workman & Okkyung Lee
Dulcimer ~ Honeychild Coleman
Trumpet ~ Lewis ‘Flip’ Barnes
Flute ~ Satch Hoyt
Alto Sax ~ Matana Roberts & Micah Gaugh
Tenor Sax ~ Micah Gaugh, Petre Radu-Scafaru
Vocals ~ Lisala Beatty, Justice Dilla X, Alice Smith, Tamar-kali, Okkyung Lee & Rene Akan
MC ~ Omega Moon
Electro Vox ~ Natasha N. Nevada Diggs
Piano Strings & Conduction ~ Lawrence Butch Morris
Recording : Peter Karl
Production & Conduction : Greg Tate
Executive Producer : Jared Michael Nickerson for Burnt Sugar Index LLC
Front Cover Photography : Arthur Jaffa
Back Cover Photography : ayana vellissia Jackson
Art direction, Illustration & Design : Susanne Cerha & Terje Vist for Silo Designs

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all rights reserved

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about

Burnt Sugar The Arkestra Chamber New York, New York

BURNT SUGAR is a neo-tribal thang, aspiring to the condition of all that is molten, glacial, spacial, telepathic.
''A multiracial jam army that freestyles with cool telekinesis between the lustrous menace of Miles Davis’ On The Corner, the slash-and-om of 1970s King Crimson, and Jimi Hendrix’ moonwalk across side three of Electric Ladyland.”- David Fricke, Rolling Stone.
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